Ashtar Command Crew - The Awakening Movement - Ashtar Command

The U.S. Department of Defense's Biological Threat Reduction Program has provided technical support to improve and protect Ukraine's public health la…

The global COVID-19 pandemic (also known as the coronavirus pandemic), caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), began…

Yes, the Tibetans use this method of sound harmonics...Here is a documented example of the practice, from the notes of a Dr Jarl.......Makes you wonder as to why the modern construction industry, have no apparent interest...:

A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford. During those times he became friends with a young Tibetan student. A couple of years later, it was 1939, Dr. Jarl made a journey to Egypt for the English Scientific Society. There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama.

After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans, at the monastery, where the old Lama and his friend who was now holding a high position were now living.
Dr. Jarl stayed there for some time, and because of his friendship with the Tibetans he learned a lot of things that other foreigners had no chance to hear about or observe.

One day his friend took him to a place in the neighbourhood of the monastery and showed him a sloping meadow which was surrounded in the north west by high cliffs. In one of the rock walls, at a height of about 250 metres was a big hole which looked like the entrance to a cave.

In front of this hole there was a platform on which the monks were building a rock wall. The only access to this platform was from the top of the cliff and the monks lowered themselves down with the help of ropes.

In the middle of the meadow, about 250 metres from the cliff, was a polished slab of rock with a bowl like cavity in the centre. The bowl had a diameter of one metre and a depth of 15 centimetres. A block of stone was manoeuvred into this cavity by Yak oxen. The block was one metre wide and one and one half metres long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 metres from the stone slab.

The radius of 63 metres was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets.(Ragdons) Eight drums had a cross-section of one metre, and a length of one and one half metres. Four drums were medium size with a cross-section of 0.7 metre and a length of one metre. The only small drum had a cross-section of 0.2 metres and a length of 0.3 metres. All the trumpets were the same size.

They had a length of 3.12 metres and an opening of 0.3 metres. The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone. The big drums were made of 1mm thick sheet iron, and had a weight of 150kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 metres high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 metres long and 250 metres high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task.

Dr. Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen it. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle. Because he had the opinion in the beginning that he was the victim of mass-psychosis he made two films of the incident. The films showed exactly the same things that he had witnessed.

The English Society for which Dr. Jarl was working confiscated the two films and declared them classified. They were released from secrecy in 1990.

The fact that the films were immediately classified is not very hard to understand once the given measurements are transposed into their geometric equivalents. It then becomes evident that the monks in Tibet are fully conversant with the laws governing the structure of matter, which the scientists in the modern day western world are now frantically exploring. It appears, from the calculations, that the prayers being chanted by the monks did not have any direct bearing on the fact that the stones were levitated from the ground.

The reaction was not initiated by the religious fervour of the group, but by the superior scientific knowledge held by the high priests. The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests using their voices at a certain pitch and rhythm most probably adds to the combined effect, but the subject matter of the chant, I believe, would be of no consequence.

The sound waves being generated by the combination were directed in such a way that an anti-gravitational effect was created at the centre of focus (position of the stones) and around the periphery, or the arc, of a third of a circle through which the stones moved.

If we analyse the diagram published with the original article, then compare it with the modified diagram, we become aware of the following coordinates, and the implications, when compared with my previously published works.

The distance between the stone block and the central pivot of the drum supports is shown as 63 metres. The large drums were said to be one and one half metres long, so the distance from the block to the rear face of each drum could be close to 63.75 metres considering that the pivot point would be near the centre of balance.

My theoretical analysis, by calculator, indicates that the exact distance would be 63.7079 metres for the optimum harmonic reaction. By mathematical conversion we find that this value is equal to 206.2648062 geodetic feet, which is harmonically equal to the length of the earths radius in seconds of arc (relative to the earths surface) 206264.8062. This also leads us to the following associations:

(206.2648062 x 2) = 412.5296124 This number squared = 170180.68 which is the theoretical harmonic of mass at the earths surface.

The four rows of monks standing behind the instruments in a quarter circle added to the production of sound by their loud chanting and must be taken in to account in regards to the geometric pattern.. If we assume that they were standing approximately two feet apart, we can add a calculated value of 8.08865 geodetic feet to the radius of the complete group. This gives a maximum radius of: 214.3534583 geodetic feet.

The circumference of a complete circle with this radius would be: 1346.822499 geodetic feet.

Which is a half harmonic of 2693.645 (unified field)

The distance from the stone block to a calculated point within the cliff face and the height of the ledge on the cliff face from ground level is given as 250 metres. If we can now imagine that the raised stone blocks pass through a quarter arc of a circle during their flight from ground level to the hole in the cliff face, then the pivot point of the radius would be coincident with this position.

The theoretical radius was found to be: 249.8767262 metres which very closely approximates the estimate. This converts to 809.016999 geodetic feet. The diameter of the full circle would therefore be: 1618.034 geodetic feet.

A circle with this diameter has a circumference of 5083.203728 units, which can be divided into three even lengths of 1694..4 It therefore appears that the levitated blocks, once resonated to a certain frequency, would tend to carry out a flight path that is coincident to one third of a circle. The spacial distance being equivalent to the mass harmonic at the center of a light field, 1694443.

The instruments used by the group, in theory, would also have been tuned to produce harmonic wave forms associated with the unified fields. The given measurements are in rounded off parts of a metre but in practice some slight variations from these measurements would be expected in order to create the appropriate resonating cavities within the instruments

The geometric arrangement, and the number of instruments in the group would also be a most important factor.

If the given measurement for each type of drum is modified fractionally and converted to its geometric equivalent an interesting value for the cubic capacity is evident.

The large drums:

1.517201563 metres long, 1.000721361 metres wide = 58.94627524 geodetic inches long, 38.88 geodetic inches wide = 69984 cubic inches capacity = 40.5 cubic geodetic feet capacity.

Therefore the cubic capacity for eight drums = 324 cubic geodetic feet This harmonic value is built into the world grid and is equal to half the harmonic 648.

The medium size drums:

1.000721361 metres long, 0.695189635 metres wide = 38.88 geodetic inches long, 27.00948944 geodetic inches wide = 22276.59899 cubic geodetic inches capacity = 12.89155034 cubic geodetic feet capacity.

Therefore the cubic capacity for four drums: = 51.56620136 cubic geodetic feet

14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic inches = 0.484813682 geodetic feet

As the dish-shape was focused upward towards the stone block to be levitated it would be expected that some type of reaction would take place which had an effect on the mass. The geometric shape of the cavity does seem to be engineered in such a way the projected frequency vortex causes a reciprocal reaction to the mass harmonic of each block. The reciprocal of 0.484813682 = 2.062648055 Twice this value: = 4.12529611 The square of this value: = 17.018068 (the harmonic of mass at the earth's surface.17018068

-------------------------

Ancient Egyptians did not use the compelled services, of teams of flogged slaves, pulling on ropes, to move massive granite blocks into exact placements, when constructing architecture, such as pyramids...or any other structure, defined as "cyclopean architecture."...There have been several logistical attempts made to complete such work in recent times, and all fail....even using the most advanced block and tackle A-frames, and/or cranes, the task is impossible to emulate...
The only way is using aetheric/tellurian energy (Earth energy) activated by sound harmonics.....and the stones, some weighing as much as 80-tons, can lose their weights, negating that downward force of planetary gravity upon the mass....Once placed exactly, upon and between previously placed stones, the weight is restored...and they settle into place, exactly.....

These Hieroglyphs Reveal How The Pyramid Stones Were Actually Lifted — And The Device They Used

https://www.youtube.com/watch?v=5uGYqdtsi7U

"According to Jeff Prather, a retired military intel officer, in 2022 Nancy Pelosi went to meet democracy and human-rights advocates in
Singapore
Malaysia
Taiwan
South Korea
Japan
While in Malaysia she met with some pharma execs -he says the biolabs…"

Comments

AlternateEarth June 15, 2026 at 9:21pm

According to Jeff Prather, a retired military intel officer, in 2022 Nancy Pelosi went to meet democracy and human-rights advocates in
Singapore
Malaysia
Taiwan
South Korea
Japan
While in Malaysia she met with some pharma execs -he says the biolabs are there now and what the labs Gabbard is talking about have all been shut down, right after The Russians exposed them. The say the Ukrainians were working on Slav specific bioweapons.
AlternateEarth June 15, 2026 at 9:09pm

The Russians exposed this after the war started and this was the response from-
https://www.factcheck.org/2022/03/social-media-posts-misrepresent-u...

Social Media Posts Misrepresent U.S.-Ukraine Threat Reduction Program - FactCheck.org

The U.S. Department of Defense's Biological Threat Reduction Program has provided technical support to improve and protect Ukraine's public health la…
Drekx Omega June 15, 2026 at 5:04pm

Fauci, Biden, Clinton, Obama and many others will be held to account for this....Ukrainian biolabs are real and I have been stating it...
🚨I mentioned Ukrainian biolabs a few years ago, on this very thread....Now, Tulsi Gabbard has confirmed it.....Obama and the deep state will go down, you just watch and see how this all plays out......🚨..If anyone assumes that "nothing is happening," think again....

https://www.youtube.com/watch?v=gFc3oqQIJDw
Drekx Omega June 15, 2026 at 2:10pm

More mRNA spike protein evidential testimony, offered to the US Senate...'CANCER OCCURRED near injection sites...': Bombshell testimony ‘EXPOSES’ COVID-19 vaccine injuries

https://www.youtube.com/watch?v=_SJ3GWZq0jI
Drekx Omega June 15, 2026 at 2:05pm

☣️🇨🇳☣️Red China played a major role in aiding the dark cabal's depopulation agenda...☣️🇨🇳☣️

Wuhan the Problem--Pandemic the Reaction--mRNA Vaxx the Solution....

The 7th CISM Military World Games were held in Wuhan, China, from October 18th to October 27th, 2019...
At the time, this served as a vector for covid 19 transmission to various international athletes, to pick up and carry back to their nations....
Then OFFICIALLY, on December 31, 2019: "The Wuhan Municipal Health Commission first publicly reported a cluster of pneumonia cases."
The pandemic followed, as reported here:

https://en.wikipedia.org/wiki/COVID-19_pandemic

COVID-19 pandemic

The global COVID-19 pandemic (also known as the coronavirus pandemic), caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), began…
Drekx Omega June 15, 2026 at 2:02pm

This podcast is for a serious analysis by readers/viewers, who have yet to be convinced that the so-called "climate emergency" and the false solution of "renewable energy sources," chiefly wind and solar, are totally non viable and will inevitably have to be dropped, as utterly unworkable....

This is worth watching if you want actual facts about why the green agenda is false and has no basis in true science...In fact, computer modelling is a flawed process, when it comes to climate, as it does not take into account the many variable factors....Noting that it was computer modelling that allowed governments to impose covid pandemic measures, causing much harm to populations in the process...As with climate modelling....Truth is, the world is cooling, not warming...

https://www.youtube.com/watch?v=pjto2wqVLS0
AlternateEarth June 15, 2026 at 12:51pm

They must have all mentally directed the stones in unison as they were lifting. I wonder if they still practice this method. The commies regulated much of the Tibetan practices.
Drekx Omega June 14, 2026 at 1:04pm

Yes, the Tibetans use this method of sound harmonics...Here is a documented example of the practice, from the notes of a Dr Jarl.......Makes you wonder as to why the modern construction industry, have no apparent interest...:

A Swedish doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford. During those times he became friends with a young Tibetan student. A couple of years later, it was 1939, Dr. Jarl made a journey to Egypt for the English Scientific Society. There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama.

After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans, at the monastery, where the old Lama and his friend who was now holding a high position were now living.
Dr. Jarl stayed there for some time, and because of his friendship with the Tibetans he learned a lot of things that other foreigners had no chance to hear about or observe.

One day his friend took him to a place in the neighbourhood of the monastery and showed him a sloping meadow which was surrounded in the north west by high cliffs. In one of the rock walls, at a height of about 250 metres was a big hole which looked like the entrance to a cave.

In front of this hole there was a platform on which the monks were building a rock wall. The only access to this platform was from the top of the cliff and the monks lowered themselves down with the help of ropes.

In the middle of the meadow, about 250 metres from the cliff, was a polished slab of rock with a bowl like cavity in the centre. The bowl had a diameter of one metre and a depth of 15 centimetres. A block of stone was manoeuvred into this cavity by Yak oxen. The block was one metre wide and one and one half metres long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 metres from the stone slab.

The radius of 63 metres was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets.(Ragdons) Eight drums had a cross-section of one metre, and a length of one and one half metres. Four drums were medium size with a cross-section of 0.7 metre and a length of one metre. The only small drum had a cross-section of 0.2 metres and a length of 0.3 metres. All the trumpets were the same size.

They had a length of 3.12 metres and an opening of 0.3 metres. The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone. The big drums were made of 1mm thick sheet iron, and had a weight of 150kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 metres high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 metres long and 250 metres high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task.

Dr. Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen it. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle. Because he had the opinion in the beginning that he was the victim of mass-psychosis he made two films of the incident. The films showed exactly the same things that he had witnessed.

The English Society for which Dr. Jarl was working confiscated the two films and declared them classified. They were released from secrecy in 1990.

The fact that the films were immediately classified is not very hard to understand once the given measurements are transposed into their geometric equivalents. It then becomes evident that the monks in Tibet are fully conversant with the laws governing the structure of matter, which the scientists in the modern day western world are now frantically exploring. It appears, from the calculations, that the prayers being chanted by the monks did not have any direct bearing on the fact that the stones were levitated from the ground.

The reaction was not initiated by the religious fervour of the group, but by the superior scientific knowledge held by the high priests. The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests using their voices at a certain pitch and rhythm most probably adds to the combined effect, but the subject matter of the chant, I believe, would be of no consequence.

The sound waves being generated by the combination were directed in such a way that an anti-gravitational effect was created at the centre of focus (position of the stones) and around the periphery, or the arc, of a third of a circle through which the stones moved.

If we analyse the diagram published with the original article, then compare it with the modified diagram, we become aware of the following coordinates, and the implications, when compared with my previously published works.

The distance between the stone block and the central pivot of the drum supports is shown as 63 metres. The large drums were said to be one and one half metres long, so the distance from the block to the rear face of each drum could be close to 63.75 metres considering that the pivot point would be near the centre of balance.

My theoretical analysis, by calculator, indicates that the exact distance would be 63.7079 metres for the optimum harmonic reaction. By mathematical conversion we find that this value is equal to 206.2648062 geodetic feet, which is harmonically equal to the length of the earths radius in seconds of arc (relative to the earths surface) 206264.8062. This also leads us to the following associations:

(206.2648062 x 2) = 412.5296124 This number squared = 170180.68 which is the theoretical harmonic of mass at the earths surface.

The four rows of monks standing behind the instruments in a quarter circle added to the production of sound by their loud chanting and must be taken in to account in regards to the geometric pattern.. If we assume that they were standing approximately two feet apart, we can add a calculated value of 8.08865 geodetic feet to the radius of the complete group. This gives a maximum radius of: 214.3534583 geodetic feet.

The circumference of a complete circle with this radius would be: 1346.822499 geodetic feet.

Which is a half harmonic of 2693.645 (unified field)

The distance from the stone block to a calculated point within the cliff face and the height of the ledge on the cliff face from ground level is given as 250 metres. If we can now imagine that the raised stone blocks pass through a quarter arc of a circle during their flight from ground level to the hole in the cliff face, then the pivot point of the radius would be coincident with this position.

The theoretical radius was found to be: 249.8767262 metres which very closely approximates the estimate. This converts to 809.016999 geodetic feet. The diameter of the full circle would therefore be: 1618.034 geodetic feet.

A circle with this diameter has a circumference of 5083.203728 units, which can be divided into three even lengths of 1694..4 It therefore appears that the levitated blocks, once resonated to a certain frequency, would tend to carry out a flight path that is coincident to one third of a circle. The spacial distance being equivalent to the mass harmonic at the center of a light field, 1694443.

The instruments used by the group, in theory, would also have been tuned to produce harmonic wave forms associated with the unified fields. The given measurements are in rounded off parts of a metre but in practice some slight variations from these measurements would be expected in order to create the appropriate resonating cavities within the instruments

The geometric arrangement, and the number of instruments in the group would also be a most important factor.

If the given measurement for each type of drum is modified fractionally and converted to its geometric equivalent an interesting value for the cubic capacity is evident.

The large drums:

1.517201563 metres long, 1.000721361 metres wide = 58.94627524 geodetic inches long, 38.88 geodetic inches wide = 69984 cubic inches capacity = 40.5 cubic geodetic feet capacity.

Therefore the cubic capacity for eight drums = 324 cubic geodetic feet This harmonic value is built into the world grid and is equal to half the harmonic 648.

The medium size drums:

1.000721361 metres long, 0.695189635 metres wide = 38.88 geodetic inches long, 27.00948944 geodetic inches wide = 22276.59899 cubic geodetic inches capacity = 12.89155034 cubic geodetic feet capacity.

Therefore the cubic capacity for four drums: = 51.56620136 cubic geodetic feet

14.97414932 centimetres = 5.895334377 inches = 5.817764187 geodetic inches = 0.484813682 geodetic feet

As the dish-shape was focused upward towards the stone block to be levitated it would be expected that some type of reaction would take place which had an effect on the mass. The geometric shape of the cavity does seem to be engineered in such a way the projected frequency vortex causes a reciprocal reaction to the mass harmonic of each block. The reciprocal of 0.484813682 = 2.062648055 Twice this value: = 4.12529611 The square of this value: = 17.018068 (the harmonic of mass at the earth's surface.17018068

-------------------------
AlternateEarth June 14, 2026 at 12:47pm

Buddhist's have claimed to move large stones with harmonics, incantations.
Drekx Omega June 14, 2026 at 10:53am

Ancient Egyptians did not use the compelled services, of teams of flogged slaves, pulling on ropes, to move massive granite blocks into exact placements, when constructing architecture, such as pyramids...or any other structure, defined as "cyclopean architecture."...There have been several logistical attempts made to complete such work in recent times, and all fail....even using the most advanced block and tackle A-frames, and/or cranes, the task is impossible to emulate...
The only way is using aetheric/tellurian energy (Earth energy) activated by sound harmonics.....and the stones, some weighing as much as 80-tons, can lose their weights, negating that downward force of planetary gravity upon the mass....Once placed exactly, upon and between previously placed stones, the weight is restored...and they settle into place, exactly.....

These Hieroglyphs Reveal How The Pyramid Stones Were Actually Lifted — And The Device They Used

https://www.youtube.com/watch?v=5uGYqdtsi7U

of 1923

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